Radio Column March 9, 2007

Listening In

March 9, 2007

By Sandy Wells


Marc "Mr. K" Germain on K-Talk


KABC’s former late evening host has landed in a new time slot this week hosting afternoon drive with rival talk station KTLK-AM 1150 “K-Talk.”

The ex-night time talk radio czar is adjusting to the new hours, by dropping the “no guests, no topics, no screeners” approach of his previous show.

“It is event-driven radio with more focus on interviews and news-oriented talk,” said Marc Germain, the real name behind his previous two aliases, Mr. KFI and Mr. KABC. “I have a producer and call screener, Lisa Goitch, who will also come on the air with me.”

Germain said he was approached by several stations after he left KABC. KTLK, which had just lost Al Franken to a run for a senate seat, was in the midst of revamping its lineup of shows.

“We have been looking for the right opportunity that would allow us to go live and local in afternoon drive for some time now,” said KTLK Station General Manager John Quinlan. “When Marc became available, we knew right away our search was over. Marc brings years of talk radio credibility and a passion for the format. We know those are the two keys to being highly successful.”

Germain, who is retaining his nickname ‘Mr. K,’ becomes the centerpiece of that revised lineup along with morning drive host Stephanie Miller. The already tape-delayed Ed Schultz is moved to 7 p.m. – 10 p.m.

He says he is not joining the Bush-bashing that is sometimes associated with K-Talk.

“Fire-brand, Bush-bashing – that’s not the show. The idea is to broaden the appeal of the station,” he said, adding he will maintain his independent take on politics and culture. “No one has ever told me what I can and cannot say.”



Phones ring off the hook at new “Go Country” 105.1 FM


It’s been a thrill ride since classical KMZT-FM 105.1 became KKGO-FM the new “Go Country,” with the switch of the country music format from AM 1260 and 540. (“K-Mozart” has moved to AM 1260, where it might well be renamed “K-Salieri”).

“It’s the best case scenario for me,” said morning DJ Sean Parr. “It’s like a dream come true. Clay Walker does a song called ‘Dreamin’ with My Eyes Wide Open’ - if I could have wished for a perfect scenario, I could hone my skills and get chance to practice for a month on the AM side and then bring it over to the FM side ready to roll and that’s exactly the way it happened.”

Parr says diehard country fans emailed constantly saying we’re listening on the AM (1260 and 540) even with all the static. Since the switch to the 18,000-watt FM signal, Parr says the phones haven’t stopped ringing with calls from grateful country music fans.


“A lot of people felt like they had lost a piece of their family and are so glad to have a familiar voice come back in the morning. People are crying to us on the phone. You could not believe the reaction. The passion - I’ve never seen it – in twenty years of radio. The phones just never stop. Every call is the same. ‘Thank you! Thank you!’ ”

And the country mix is a lot broader than it was on KZLA-FM 93.9 (now rhythmic adult contemprary hits KMVN-FM ‘Movin’ 93.9 with Rick Dees.)

“KZLA was pretty corporate run and the music was pretty tightly run I played what I was told to play” explained Parr. “We were playing around five hundred songs. This is the first time I’ve ever worked for a station where I was asked what I thought about the music. They've allowed me to bring in music from my library of hits from the past 25 years in Southern California. (Go Country Program Director) Mike Johnson is fantastic. We just see eye to eye. We both are about the same age and his philosophy is ‘just play the hits.”

Parr says one reason Mt Wilson FM Broadcasting President Saul Levine was able to re-launch the country music format in L.A. before the big corporations did was because he wasn’t asking for the moon and the stars. He says the giant broadcasting corporations typically demand concessions such as free stations concerts by the big Nashville stars in exchange for on air exposure.

Parr added that Levine is very positive about the potential of country music here. At KZLA, management didn’t believe the format had much appeal in ethnically diverse Los Angeles.

“My boss used to say to me KZLA is a 'two-share' radio station. I disagree with that. We sell more concert seats than anyone. If you do it right you can be much bigger. I really think that we got a great mix we’re doing it right and we really have an opportunity to make this happen.”



Star 98.7 adds New York DJ to lineup


Star 98.7 (KYSR-FM 98.7) has hired New York DJ Yvonne Velazquez to take over the weekday 10 a.m. – 3 p.m. “All Request Workday” slot vacated when Lisa Foxx joined the morning show as co-host with Sean Valentine.

Most recently, Velazquez was the night DJ on WNEW in New York. Before that she was the voice of MTV Satellite Radio.

“Joining STAR 98.7 is an unbelievable opportunity for me to reunite with my former morning show partner and mentor (Star 98.7 Program Director) Charese Fruge and to work for a station where I am truly passionate about the music. I am forever thankful to (KYSR General Manager) Craig Rossi, Charese and everyone at Star for saying – ‘Welcome to Hollywood’ – I’m going to enjoy every minute.”


KFWB’s Andy Ludlum named program director

KFWB-AM 980 News Director Andy Ludlam has been named program director, taking over from David G. Hall who will now focus exclusively on programming sister station, news/talk KNX-AM 1070.

“We have a great team of anchors, reporters, writers, editors and producers, totally dedicated to providing the best news product and services in Los Angeles,” Ludlum said. “I’m excited about the opportunity to show off what this radio station does on a daily basis.”

KFWB Assistant News Director Paul Gomez replaces Ludlam as news director for the (almost) all-news outlet. KFWB broadcasts Monday Night Football and Dodgers baseball.

Radio Column February 24, 2007

Listening In

February 23, 2007

Marc Germain a.k.a. Mr. KABC will join KTLK-AM 1150

By Sandy Wells

Mr. KABC winds up 10 years of your questions, his answers


I recently asked Mr. KABC for an interview about completing ten years at KABC-AM 790. No mean achievement in this competitive market. I wanted to ask him how he felt about being on for a decade, about changes in how he approached the show and the callers, plus any general observations about changes and trends in talk radio. He said he’d get back to me.

A week later he told me he had decided to end his career at KABC.

“KABC’s decision based on network pressure to carry the second hour of Mark Levin would have pushed my show an hour later,” he wrote. “Since I didn’t think that was good for my family, advertisers or listeners, I made the decision to leave the station.”

It was odd that the station appeared ready to move the Ask Mr. KABC Show when things were going so well.
”With the ratings and revenue success, in the fall ’06 Arbitron, my show was No. 1 midnight to 1 a.m. and No. 2 10 p.m. to midnight, I plan to find another good home for the show quickly and listeners will be informed if they leave their email addresses for me at http://www.mrkabc.com/. I had ten great years at KABC because of my loyal listeners.”

He went through a similar situation ten years ago when KFI-AM 640 announced it was going to make room for the Phil Hendrie Show by moving Ask Mr. KFI (his former name) from his 9 a.m. to midnight position to midnight to 3 a.m. Mr. K walked rather than take the overnight shift.


On the conservative-leaning KABC, the liberal host went through ups and downs. He was placed in the morning show and paired with voice artist Brian Whitman (now on talk station KLSX-FM 97.1 weeknights from 7 p.m. to 10 p.m. with Tim Conway, Jr) and later endured the absurd “Concentrated Mr. KABC” where he was reduced to an hour sandwiched between the Stephanie Miller Show and Art Bell.

For now, Mr. K appears to remain, as always, “better than most, not as good as some.”


Al Franken runs for Senate


Another liberal talk show host has taken leave from the ionosphere, as it were. Air America star host and Saturday Night Live alum Al Franken exited the recently sold left-leaning talk radio network to make a run for a seat in the U.S. Senate.

Heard on KTLK-AM 1150, where the comic icon has publicly butted heads with Fox News Channel and Westwood One syndicated host Bill O’Reilly (heard locally on KABC-AM 790), Franken often strained to translate his hilarious onstage persona to radio.

KTLK in the mean time is making an impact with veteran radio hosts Randi Rhodes, Ed Schultz and Franken’s replacement, Thom Hartmann, who now is heard weekdays from 9 a.m. to noon.

KTLK's Thom Hartmann

XM to wed Sirius?


When the two giant satellite radio companies XM and Sirius were formed, the FCC stipulated that the two were not to merge. That would be anti-competitive. Well after years of bleeding red ink - more than a combined billion and a half dollars, according to industry publication Inside Radio - the two appear ready to come together in a $13 billion merger deal. They are asking the FCC to change its stance and allow the union, hoping that the pro-business Bush administration will be lenient. Terrestrial broadcasters are furious.

“Given the government’s history of opposing monopolies in all forms, NAB would be shocked if federal regulators permitted a merger of XM and Sirius. It bears mentioning that regulators summarily rejected a similar monopoly merger of the nation’s only two satellite television companies - DirecTV and DISH Network - just a few years back,” fumed National Association of Broadcasters’ Executive Vice President Dennis Wharton. “When the FCC authorized satellite radio, it specifically found that the public would be served best by two competitive nationwide systems. Now, with their stock prices at rock bottom and their business model in disarray because of profligate spending practices, they seek a government bail-out to avoid competing in the marketplace. In coming weeks, policymakers will have to weigh whether an industry that makes Howard Stern its poster child should be rewarded with a monopoly platform for offensive programming. We’re hopeful that this anti-consumer proposal will be rejected.”

Satellite radio execs argue that iPods, Internet radio and other increasingly available audio content sources will insure plenty of options for consumers.



Ex Arrow Program Director rebounds in Chicago

The architect of the “Arrow 93” format on KCBS-FM 93.1 (now “Jack FM”) has rebounded with a dream announcing gig in his home town. Tommy Edwards was named the PA Address Announcer for the Chicago Bulls for the 2006-2007season, a job he held for 14 years in before coming to LA. He credited with being the first sports PA Announcer to use the recording of “Rock ’n’ Roll Pt. 2” by Gary Glitter to rally the fans.

Edwards was the creative force behind the “All Rock ‘n Roll Oldies” format that enjoyed great success for more than a decade here in Southern California.

Radio Column Feruary 9, 2007

Listening In

February 9, 2007

By Sandy Wells

Delilah arrives at KBIG-FM

Syndicated host Delilah is returning to KBIG-FM 104.3. The Seattle-based DJ will launch in Los Angeles Monday from 10 p.m. to 3 a.m. with a weeknight program that combines music, dedications, and relationship information and advice.

“We’re absolutely thrilled to have Delilah on 104.3 KBIG,” says KBIG Program Director David “Chachi” Denes. “We are confident that her broadcast experience, knowledge of our audience, and her personality is a perfect fit with our station. And, of course, her continued popularity and unique style can only be a great addition to our line-up.”

Delilah Rene-Ortega (born Delilah Rene Luke) is actually making her second round on the adult contemporary hits station. In 1998, back when it was calling itself “K-Big” her program was carried from 7 p.m. to midnight. She is currently heard on 250 stations around the country including New York’s WLTW-FM.

“KBIG is a part of the L.A. radio landscape, one that I have had my heart set on for many years,” says Delilah. “And for those many years, I have asked Chachi for this chance. At last, I get to talk to my friends in L.A. every night and I’m so excited about that.”

A single mother of seven – including four adopted children – Delilah combines story-telling with “sympathetic listening and encouragement.” She is popular with adult contemporary soft rock audiences, especially among young adult women. She describes her show as a “safety zone where listeners take off their armor, slip into a ‘Mr. Rogers’ cardigan, sit around the electronic hearth and share their secrets.”

The addition of Delilah puts her in partial competition with KOST-FM 103.5’s long-running, “Love Songs with Karen Sharp” which airs from 7 p.m. to midnight. Both KOST and KBIG are owned by Clear Channel Communications.


KFI lets go of Orange County reporter


Is KFI-AM 640 trimming its news staff? The award-winning news/talk leader raised a few eyebrows recently when Orange County reporter Jay Lawrence was let go and when overnight news anchor Michael Crozier was shifted to weekends and replaced by news editor Donald Morrison.

Not to worry said KFI Program Director Robin Bertolucci, the station remains fully committed to providing aggressive, live and local news 24/7 and is not about to undergo a round of cost-cutting.

“We have the number one (radio) news in LA County and we’re not going to mess it up,” she said. She explained that the KFI news payroll has grown 50 percent over the last five years and it was time to make some minor budgetary adjustments and reallocate some resources. Bertolucci said KFI is currently seeking to fill the position vacated by Lawrence.


Limbaugh nominated by KABC host for Nobel Peace Prize


Two KFI-AM 640 syndicated hosts have been nominated for the Nobel Peace Prize. Rush Limbaugh received his from the Landmark Legal Foundation, whose president, Mark Levin, is also a radio talk show host heard locally on KABC-AM 790.
Levin nominated Limbaugh for his “nearly two decades of tireless efforts to promote liberty, equality and opportunity for all humankind, regardless of race, creed, economic stratum or national origin. These are the only real cornerstones of just and lasting peace throughout the world,” explained Levin. “Rush Limbaugh is the foremost advocate for freedom and democracy in the world today.”

Despite the fact that they are on competing talk stations in LA, both Limbaugh and Levin claim New York’s WABC-AM as their flagship station.

Responding to the fact that California death row inmate Stanley “Tookie” Williams had been nominated for the Nobel Peace Prize several times, KFI morning host Bill Handel had himself nominated for the prize by a congressman (who asked to remain anonymous, according to a KFI spokesperson). Williams, a convicted murderer, was executed in December, 2005.

Radio Column January 26, 2007

Listening In

January 26, 2007

By Sandy Wells



Talk radio, oldies and soft rock rebound in latest ratings



The redesigned oldies legend “K-Earth 101” (KRTH-FM 101.1) made impressive gains in the fall ratings period, going from a tie at No. 15 to a tie for No. 10 in the latest Arbitron survey of listeners 12 and up. It is vindication for new Program Director Jhani Kaye and indicates there are plenty of listeners ready for a more 70s-based mix of oldies. Kaye’s previous station, adult contemporary KOST-FM 103.5 which is now programmed by Stella Schwartz, also had a great book, jumping from 11th place to a tie for 4th.

The congressional elections were a boon for talk stations. Clear Channel’s conservative/populist KFI-AM 640 went from a tie at No. 8 to a tie a No. 4 and ABC Disney’s mostly conservative KABC-AM 790 moved up from No. 17 to 15. Liberal KTLK-AM 1150 (also owned by Clear Channel) inched up a tenth to No. 31, tied with Salem ’s very conservative KRLA-AM 870.

Country music fans found a new home across county lines. The Inland Empire ’s “K-Frog” (KFRG-FM 95.1) jumped from No. 40 in the LA Metro survey to No. 28, thanks to the “flip” of KZLA-FM 93.9 from country to rhythmic adult contemporary “Movin’ 93.9” (KMVN-FM) last August. We’ll have to wait for the next ratings results to find out how well newcomer Country AM 540 and 1260 succeeds in attracting the disenfranchised country music fans of LA and Orange Counties .

K-Earth 101 Morning Man Gary Bryan

The top rated stations overall were Spanish contemporary “K-Love” KLVE-FM 107.5, then Regional Mexican KSCA-FM 101.9 which tied at No. 2 with Clear Channel’s top 40 KIIS-FM 102.7. The No. 4 spot was shared by two other Clear Channel stations: KFI-AM and KOST-FM. Regional Mexican KLAX-FM 97.9 scored at No. 6, followed by CHR Rhythmic “Power 106” (KPWR-FM 105.9) at No. 7, alternative rock KROQ-FM 106.7 at No. 8 and smooth jazz “The Wave” (KTWV-FM 94.7) at No. 9. “K-Earth 101” and Regional Mexican KBUE-FM 105.5 tied at No. 10.







K-Earth 101's midday guy Jim Carson



Climbing back into the morning drive top ten were Mark and Kim on KOST-FM up from No. 12 in the summer to No. 8 and “K-Earth 101”’s Gary Brian, who shot up from No. 16 to tie at No. 9 with the adult hits format of “Jack FM” (KCBS-FM 93.1).

KSCA-FM’s “Piolín por la Mañana” held on to No. 1 in morning drive. English-speaking radio’s top performer was KFI’s Bill Handel at No. 2 overall, then at No. 3 KLAX-FM’s Renan Almendarez Coello, “American Idol” star Ryan Seacrest on KIIS-FM at No. 4, Omar and Algeria on KLVE-FM at No. 6, Kevin and Bean on KROQ-FM at No. 7 and Power 106’s big-voiced Big Boy at No. 8. In talk radio, KABC-AM’s Doug McIntyre, KRLA-AM’s Laura Ingraham and KTLK-AM’s Stephanie Miller all gained audience share. Notwithstanding LA’s need for straight forward news reporting and frequent traffic updates, news stations KNX-AM 1070 and KFWB-AM 980 lost audience share in the morning, down two tenths and one tenth respectively.

In the 7 p.m. to midnight period, Art Laboe, whose request and dedications show on “Hot 92 Jamz” (KHHT-FM 92.3) dominates the city with the No. 1 show on Sunday nights, did not improve the ratings picture for the urban AC station with his new weeknight show. KHHT-FM was down from No. 4 to No. 7. If listeners are missing the soft R&B of “The Quiet Storm” (now starts at midnight), the ratings suggest they weren’t going to “The Wave” which dropped down from No. 7 to No. 12 nor to “The Beat” KKBT-FM 100.3 - now KRVB-FM “V-100” – which dipped from No. 14 to 21. Night owls may be tuning to the 70s flavored hits on “K-Earth 101” (up from No. 19 to 15). In talk radio, KABC-AM gained 1.6 points, raising Al Rantel, Mark Levin and “Ask Mr. KABC” from No. 16 to No. 10. KFI-AM’s John Ziegler and George Noory also improved, growing nine tenths of a point from No, 10 to a tie at No. 5 with KOST-FM.


Ask Mr. KABC showed big gains in the evening ratings for KABC-AM 790




NPR news aims for younger audience


National Public Radio is getting set to launch a new news show for younger audiences patterned after “Morning Edition,” which has grown to be a daily habit for 13 million listeners since its inception in 1970. However, the young, college educated FM listeners of that time are now pushing 60. Even at the ultra politically correct NPR, the people in charge know they’ve got to cultivate the young to stay relevant in radio.

“Morning Edition is a tremendous success and a daily priority for millions of Americans, but one size doesn’t fit all when it comes to news and information,” said NPR Chief Executive Officer Ken Stern. “The 25-to-44 age group is underserved by the media and seeking smart, thoughtful content relevant to their lives. With more than seven million of them already embracing public radio and the public service it offers, this is a logical opportunity for NPR.”

A two-hour morning drive time radio show is planned for September through NPR radio stations, their digital HD radio multicast channels, the Internet and on satellite radio. No word yet on whether KPCC-FM 89.3 or KCRW-FM 89.9 will participate.

Radio Column January 12, 2007

Listening In

January 12, 2007

By Sandy Wells


Star 98.7 pairs KIIS-FM’s Valentine with Foxx in new morning show


Lisa Foxx moves into new time slot on Star 98.7

Star 98.7 KYSR-FM 98.7 repeated history last week when it removed the morning show starring “Jamie, Jack and Stench,” (Jamie White, Jack Heine and Mike Roberts). The trio exited the Hot Adult Contemporary station billing itself as “today’s music alternative” last April so management could make room for more music-focused programming. However, a big email response caused the management to pull a Donald Trump-like move, giving them a “second chance.” Now that’s over with for good. Or bad, depending on how much you liked or disliked White’s brand of goofball humor.

Sean Valentine moves from KIIS-FM to Star 98.7

Starting next Tuesday, KIIS-FM 102.7’s lightening-witted Sean Valentine joins midday host Star 98.7 DJ Lisa Foxx for the new 5:30 am - 10 am morning show. Valentine spent the last ten years spinning top 40 pop hits for Star 98.7’s sister station, including the last eight as host of the afternoon drive shift. He’s also a regular at the Laugh Factory in Hollywood, and has entertained the U.S. armed forces stationed overseas for the USO.

Foxx has been a mainstay on Star 98.7 for nearly ten years, hosting virtually every timeslot. Lately she has been heard hosting the “All Request Workday” weekdays from 10 am to 3 pm. A California native, Lisa honed her on-air skills with gigs in San Jose and San Francisco before coming to Los Angeles.

Both hosts are adept at managing fast-paced shows where music is the focus. Star 98.7 General Manager Craig Rossi says he expects there will be a pretty even blend of music and chatter.


Sean Parr headlines as DJ on country AM 1260 and 540






Sean Parr does mornings now on AM 540 and 1260

On his first day back on the air this week at AM 1260 and 540, prompted by traffic reporter/sidekick Robin Banks – who also worked with him on KZLA-FM 93.9, country music DJ Sean Parr retold the story of the last minutes of the FM country station.

“The boss came in to the studio,” Parr recalled. “He never did that. He never came into the studio. He asked how I was. I knew something was wrong. I asked is everything okay? He told me that in five minutes this station as you know it will be no more.”

Parr, at the mike, with his daughter visiting in the studio, was stunned, but not speechless. He said he asked the boss if he could say goodbye to the listeners, say something to explain what was happening. His boss told him to be a “radio professional” and play one more song without comment, for that would be his last. Shaken, with emotions welling up as the reality began to sink in, Parr picked Keith Urban’s, “Tonight I Wanna Cry” which he played at 10:18 a.m. He was then called into a staff meeting where the grim details were spelled out.

Later, he says he did get the opportunity to say goodbye to some of his listeners. But it wasn’t on KZLA. Morning DJ’s Scott and Tommy on the Inland Empire country station, “K-Frog” (KFRG-FM 95.1) which reaches parts of LA and Orange Counties, invited him to come in and talk about the demise of LA’s only country station on the morning of August 17th.

Parr’s presence in the morning gives the AM station a local show to anchor a broadcast schedule that features other country radio talents such as Whitney Allen, Brian Douglas, Paul Freeman and Tonya Campos, all former KZLA DJs.

Mt. Wilson Broadcasting President Saul Levine says he plans to add more local shows to the lineup of AM 1260 and 540.



Bonaduce joins Carola on KLSX-FM


Danny Bonaduce hooked up with morning man Adam Carolla and Teresa Strasser last week on KLSX-FM 971. The “Free FM” talker has struggled to recapture anything close to the ratings dominance it enjoyed in the morning with Howard Stern at the helm. Nevertheless, Carolla has survived, unlike his hapless East Coast counterpart, David Lee Roth, who was removed last year after less than five months on the job. Bonaduce, who also lost a morning radio job last year, as co-host with Jamie White on Star 98.7 KYSR-FM 98.7, is back in the saddle after a year starring on his own MTV reality TV show “Breaking Bonaduce.”

“If you asked me why I wanted to join Adam’s show, my first reaction would be to say poverty, followed quickly by the fact that I’m a big fan and have a lot of respect for his work,” said Bonaduce in a statement. “There’s nothing quite like doing live radio especially with a veteran like Adam. Having done his show in the past I know that there is something unique about what we bring to the table.”


‘La Raza’ morning man arrested after domestic quarrel


Spanish language radio superstar “El Cucuy” Renan Almendarez Coello had a run-in with the law over the holidays. Police say the “La Raza” KLAX-FM 97.9 morning man turned himself into to police last week on suspicion of making criminal threats over the phone to his wife and later to police on New Year’s Day as officers were investigating reports of a family fight at his home. Police say there were traces of blood at the scene Monday and that they took a knife as evidence. His wife was not injured. After being booked Wednesday, Almendarez posted $50,000 bail and left the police station with his lawyer.

The Honduran native has enjoyed a huge following among Spanish-speaking listeners in LA since his days on KKHJ-AM 930 (now KHJ). His popularity soared when he moved to mornings on KSCA-FM 101.9. Last spring, he played a key role in publicizing the massive rally in downtown Los Angeles to protest a House bill that would have criminalized illegal immigrants.

Radio Column December 29, 2006

Listening In

December 29, 2006

By Sandy Wells

Top radio stories of 2006


KZLA vanishes; Rick Dees returns on new KMVN

It was a strange day in August when the country music format vanished at KZLA-FM 93.9. The new “Movin’ 93.9” was born by stealth, with not a hint of things to come offered by Emmis Comunications, the corporation that owned LA’s only country outlet. Many country music lovers felt outrage, once they got over the shock of hearing Madonna and the Black Eyed Peas instead of Toby Keith and Sara Evans, not to mention the loss of morning DJ Peter Tilden. The silver lining in the cloud was the announcement that former KIIS-FM morning man Rick Dees was coming back to wake up Los Angeles.


Huggy Boy dies

Dick “Huggy Boy” Hugg died this year following a period of failing health. The 78-year-old pioneer DJ who began spinning R&B hits in the 1950s from Dolphin’s record store in South LA evolved, in his later career on KRLA-AM 1110, into a radio institution among LA’s Latino communities. The Ohio native’s unpretentious presentation of “low rider” oldies with its emphasis on soul and R&B classics plus requests and dedications connected with people of all ages.


Comedy and sports don’t mix well

Can comedy and sports work as a talk format? KLAC-AM 570, made a half-hearted go of it with two comedy acts that ended up going nowhere, or in the case of Phil Hendrie, into TV sitcoms. Chicago’s mighty Mancow was heralded as a kind of new and improved Howard Stern. However, Mancow’s high-energy clowning cacophony sounded like it needed to be on FM as he is heard on his home base station in Chicago where higher fidelity and stereo help sort out the voices amid a pounding heavy metal soundtrack. But I give him credit for packing more entertainment bits into a show than any other radio morning man I’ve ever heard. And they were often very funny. Hendrie, moved from a high-profile evening slot on KFI-AM 640, was often preempted by sports on KLAC’s evening slot. He is now developing his comedy for TV. And KLAC is now programming sports shows with Joe McDonnell in the evenings and “Roggin and Simers Squared” with KNBC-TV’s Fred Roggin and sports writer T.J. Simers with his daughter, Tracy.


Country music on AM

Independent broadcaster Saul Levine came to the rescue of country music fans after KZLA changed to Movin’ 93.9. He “flipped” the format of his AM stations first XESUR-AM 540 and later, KKGO-AM 1260, trading Ferrante and Teicher for Brooks and Dunn.


Jhani Kaye programs K-Earth 101

I had to scratch my head over this one. K-Earth 101 (KRTH-FM 101.1) hired one of radio’s pre-eminent adult contemporary “soft rock” programmers with KOST-FM 103.5 and KBIG-FM 104.3 to reinvent the legendary oldies station. Jhani Kaye started in January. Like a glacial ice flow moving south, the music has changed to the point where except for the old jingles and a smattering of 60s classics the oldies sound has almost melted away. Kaye inserted ex-KBIG personality Joshua Escandon into early afternoons, giving the station a decidedly AC flavor during a key “listen at work” daypart. He also put Gary Bryan back in mornings. Hollywood Hamilton went back to New York radio after a year of waking up Angelenos with the Four Tops and Righteous Brothers.


Tough act to follow on KLSX-FM

KLSX-FM 97.1 Program Director Jack Silver has had his work cut out for this year. Programming a station with top-rated Howard Stern as the morning guy was like owning an Arabian oil field. With Stern gone to Sirius, Adam Carola has faced the daunting challenge of trying to keep as many Stern fans tuned in while developing his own following.


Behind the scenes drama at Star 98.7

Hot Adult Contemporary Star 98.7 KYSR-FM 98.7 has endured some tabloid-style sturm and drang this year, beginning with the firing of practically the whole air staff in order to put the focus back on the music. That move led to thousands of emails reportedly demanding that Jamie, Jack and Stench be given back their morning show. Management put the trio back on and also hired DJs Lisa Foxx, Tom Mitchell and Richard Blade to put some more personality between the records. The year came to a calamitous end when KFI’s Bill Handel, another morning host from the local Clear Channel cluster based in Burbank, burst into the Star 98.7 studio while the on-air lamp was lit, and loudly and profanely went off on Jamie for yelling at his kids, who had strayed down the hall while visiting their Dad’s show. There were a lot of “beeped out” words during that incident.


Revolving doors on urban radio

More evidence that personality is makes for compelling music radio surfaced as Urban AC “Hot 92” KHHT-FM 92.3 put weekend syndicated Art Laboe on a weeknight schedule with his signature requests and dedications. Laboe, a LA veteran broadcaster, helped Huggy Boy get started in the business in the 1950s. Comedian Steve Harvey, who was a huge hit on KKBT-FM 100.3, “The Beat” reemerged on old school hip hop KDAY-FM 93.5. KDAY also added Tha’ Goodfellas following their successful run of afternoons spinning hip hop hits on Power 106 KPWR-FM 105.9. Earlier this year, “The Beat” replaced morning man John Salley with Tom Joyner as it transformed from a hip hop and R&B to Urban Adult Contemporary sound. Joyner exited this month as the Beat’s new program director Kevin Fleming replaced him with KJLH-FM 102.3’s Cliff Winston.

Radio Column December 15, 2006

Listening In

December 15, 2006

By Sandy Wells


KKBT ‘The Beat’ drops Tom Joyner show


Urban contemporary station KKBT-FM 100.3 “The Beat” is returning to local programming in the morning as it disconnects from the nationally syndicated Tom Joyner Morning Show after today.

KKBT Program Director Kevin Fleming was on the verge of making it official with an announcement this week that afternoon drive talent Cliff Winston would be named as the next personality to step into the high-profile position.

Before he was picked up by “The Beat,” Winston had developed a solid local following hosting the morning show at the Inglewood station owned by pop/R&B icon Stevie Wonder, KJLH-FM 102.3. His move to 100.3 earlier this year immediately fueled rumors that he was in line to replace Joyner’s program, which was not moving the ratings in the right direction.

“It was difficult for him to find an audience,” said Fleming of Joyner, who programmed the now defunct oldies R&B outlet KACE when that station carried the syndicated show. “That was five or six years ago. There wasn’t satellite radio or iPods then.”

Fleming is convinced that he must focus on developing local personalities to compete for LA’s fickle listeners and feels that Winston is the man to do it.

“He’s an entity in this marketplace and that’s a positive” said Fleming reflecting on the changes he hopes will stem the audience erosion the station has suffered this year. “The bleeding has stopped, we’re making changes; we have to inform the marketplace of who we are.”

Fleming edited the radio industry music tip sheet “Urban Buzz” between radio gigs. He feels the appeal of the urban adult contemporary sound of KKBT will continue to grow, displacing what he sees as hip hop’s fading popularity.

“You can only eat fast food for so long,” says Fleming, explaining the new focus on local personalities and music aimed to satisfy the musical tastes of Southern Californians. “People need to have a meal. You can have a home cooked meal here. That’s what we’re all about now.”

Fleming says KKBT’s music mix will be more ‘mass appeal’ than the similarly-formatted KJLH.

“The Beat” will soon add Shirley Hayes from Chicago’s WNUA-FM to fill the 9 a.m. to noon slot soon.





New female morning host captains the KJLH-FM “Home Team”




As former KJLH-FM 102.3 morning man Cliff Winston gets set to move into morning drive on KKBT-FM 100.3 ‘The Beat,’ one of his former “Home Team” players has moved up to take his place.

Adai Lamar is now counted alongside former “Beat” personality Diana Steele on KHHT-FM 92.3 as one of two female music DJs hosting the key morning drive time period. She is also the only African-American woman currently at the helm of a morning radio show in the market.

Lamar aims to “Entertain, Inform and Enlighten” on her daily 6 a.m. to 10 a.m. program. In keeping with the station’s objective to be “the community station,” drawing her listeners from LA’s vast melting pot, Adai and the Home Team broadcast community affairs, local job announcements and listener calls.


KJLH-FM's Adai Lamar


The Texas native graduated from the University of Oklahoma with a degree in broadcast journalism. After starting her radio career at a station in Oklahoma City she moved to Hollywood where she worked for music star Kenneth “Babyface” Edmonds before returning to the airwaves at KJLH.

Lamar is being promoted as someone who delivers “the viewpoints and experience of an attractive, young, single, professional African-American woman, something you won’t hear elsewhere headlining any other morning music show in L.A. radio.”

Adai hopes to move into some TV work in addition to radio. She is currently developing a segment for her show called “Adai in LA: The diary of a single black female living in the City.”

Radio Column December 1, 2006

Listening In

December 1, 2006

By Sandy Wells


Country music returns to LA on 1260 AM today


Country music returns to LA County airwaves today on KKGO-AM 1260, replacing the adult standards format. Although Southern California is the biggest market for the sale of country music CDs, there has been no broadcast signal airing country music since KZLA-FM ended its 26-year run with the format in favor of the rhythmic adult contemporary KMVN-FM 93.9 featuring Rick Dees in August.

In October, Mt. Wilson FM Broadcasting partially filled the void by replacing adult standards with country music on XESUR-AM 540, which covers San Diego, Orange County and can be heard in parts of LA County.

The format flip proved a boon to XM Satellite Radio which replaced KZLA as the sponsor of “Country Bash ’06” at the Verizon Wireless Amphitheatre in October. XM offers nine country channels.

This will not be a perfect solution to country music lovers. AM 1260 has a spotty signal at night, especially for listeners in the San Gabriel Valley, some of whom may have better luck tuning to the San Diego-based simulcast on XSUR-AM 540.

Mt Wilson FM President Saul Levine has always been a big supporter of standards despite the financial challenges.

“I only made $148,000 last year with this format,” he said. “That’s barely enough to pay for the electric bill and the phone lines. The (advertising) agencies don’t want to buy the older audience.”

Levine feels certain that by catering to country music’s younger demographics, he will be able to attract enough agency ad revenue to put his two AM stations in the black this year.

Levine will continue to use programming from Excelsior Radio Networks. Happily, many ex-KZLA DJs work at the Valencia studios formerly operated by Westwood One. Former KZLA evening personality Brian Douglas is the morning man, followed by Adrienne Brooks. Starting in January, Whitney Allen will be host afternoon drive.

Mt Wilson FM’s classical station, KMZT-FM 105.1 (“K-Mozart”) will soon be broadcasting country music on its HD2 channel.

As for people who love the standards, for now, my suggestion is to subscribe to XM or Sirius satellite radio.


Jesse Jackson nabs newsmaker


Jesse Jackson’s weekly syndicated talk show “Keep Hope Alive” nabbed a big newsmaker interview when actor-comedian Michael Richards went on the program to apologize for his recent angry tirade at the Laugh Factory. Richards, best known as the actor who played Kramer on “Seinfeld” used the “n” word repeatedly in a bizarre attempt to shut down some African-American hecklers. Unfortunately for Richards, much of it was captured on cell phone video and distributed to the media.

Richards told Jackson he was raised in an African American neighborhood until he was 11 and that most of his friends were African-American. “My journey now is to go in and get to the face of what’s underneath racist language…but underneath us…underneath me, underneath me, Reverend.” Jackson’s show airs Sunday evening from 9 p.m. to 11 p.m. on KTLK-AM 1150. The show is syndicated by Premiere Radio Networks.


KXLU spins vinyl

I can’t remember when I last heard a record skip on the air. The other morning I tuned to Loyola Marymount University’s KXLU-FM 88.9 and heard the DJ start a song by the punk rock band The Cramps. The song almost immediately started to skip and slide, the needle doing a bit of a dance on the old record’s damaged grooves. The DJ quickly moved the needle ahead to another song and played “I Can’t Find My Mind” from the 1981 LP “Psychedelic Jungle” instead. Coming on the air after the set, Stephanie apologized for the technical problems, which included their old CD players having a hard time playing homemade CD-R recordings without skipping.

KXLU-FM is one of the last college stations that allow college students to host programs and pick their own music. KXLU offers an eclectic lineup of programs, from Latin, to classical and jazz, in addition to rock music shows. It is a great place to hear the unexpected and new. Any LMU alums want to step up and contribute some state of the art CD players? A donation form is available at www.kxlu.com.



ABC Radio Citadel merger on hold

The impending merger of Citadel Broadcasting with Disney’s ABC Radio is apparently on hold until next May.

Disney knocked $300 million off the $2.7 billion price but will retain a 57 percent stake in the new company, up from the previously agreed upon 52 percent.

Under the terms of the merger agreement originally announced in February, Disney would continue to mange ESPN Radio and Radio Disney (Locally KSPN-AM 710 and KDIS-AM 1110), while spinning off the ABC Radio networks and other ABC stations including LA’s KABC-AM 790 and KLOS-FM 95.5.


KRLA boosts power


Talk station KRLA-AM 870 is reaching out to an estimated 1.3 million additional ears “from Santa Barbara to Laguna Hills” with the boost of its power from 20,000 watts to 50,000 watts.

“At 50,000 watts, we are excited that KRLA is now among the most powerful AM stations in Los Angeles,” said Salem Los Angeles Vice President and General Manager Terry Fahy. “This signal improvement enables us to reach a broader audience well-suited to our programming strengths. For people in the Greater Los Angeles area who want hard-hitting truth-telling news and commentary, we deliver.”

KRLA offers the area’s most consistently conservative weekday lineup of talk commentators, with Laura Ingraham, Dennis Prager, Michael Medved, Hugh Hewitt, Michael Savage, Mike Gallagher and Bill Bennett.

Radio Column November 17, 2006

Listening In

November 17, 2006

By Sandy Wells


K-Jazz set to welcome new management


Some jazz fans are fearful that the new management soon to take over KKJZ-FM 88.1 (“K-Jazz”) in Long Beach at the beginning of next year will convert the station into a more mass appeal jazz format, possibly into a public radio version of the “smooth jazz” format heard on “the Wave” KTWV-FM 94.7.

Nothing could be farther from the truth according to Saul Levine, the President and owner of Mt. Wilson FM Broadcasting, who won the bid to take over the management of the financially-challenged FM station off the hands of California State University Long Beach this year.

Although one of the most listened-to jazz stations in America – it has an bi-coastal rivalry with WBGO-FM in Newark, New Jersey, which serves the New York metro area – that popularity hasn’t translated into financial stability.

For that reason the university decided that it could no longer afford to underwrite the station and began soliciting bids for new management.

Levine, whose bid was accepted last month, will bring his classical music radio sales force in to sell corporate underwriting for K-Jazz, a move that will help fill the gap between subscriber support and station expenses and hopefully bringing it in line with wealthier public stations, KCRW-FM 89.9, KUSC-FM 91.5 and KPCC-FM 89.3.

Levine says he’s dedicated to keeping classic, “straight-ahead” jazz alive and well.

“We did jazz for 29 years KKGO-FM until KFAC dropped the classical format in 1989,” said Levine, who currently operates commercial classical station KMZT-FM 105.1, standards KKGO-AM 1260 and Country station XSUR-AM 540 in Southern California. “I’d like to dispel rumors that we are going to radically change 88.1. We’re going to focus on straight ahead jazz and we’re not turning it into ‘The Wave.’ But, I don’t want to play the kind of jazz that just appeals to one hundred people.”

Levine says he will look at all the programming and staff at the 30,000-watt public station when he takes over in January.

The weekend blues will probably remain in place, but some shows and air personalities may be moved around or replaced.

Levine says he plans to put country music on the HD2 channel of KMZT-FM in 2007 to supplement the programming on AM 540. He also told me he will be adding more local announcers to his country station, which currently offers mostly syndicated shows emanating from Excelsior Radio Network studios in Valencia.


Stryker named co-host of “Loveline” on KROQ


KROQ-FM’s afternoon drive host, Stryker, has been named co-host of the nationally syndicated call in show “Loveline” broadcast weekday evenings from 10 p.m. to midnight on its flagship station, alternative rocker KROQ-FM 106.7.

(Photo: KROQ's Stryker)

“Loveline” the long-running radio call-in show focusing on the issues of young people and sex, relationships, and health was started by KROQ DJs Jim “Poorman” Trenton and “Swedish Egil” in 1983. Trenton invited Dr. Drew Pinsky on to the show for medical information a year later. Drew, who was a USC medical student when he first joined the show, is currently a board certified internist and addiction medicine specialist. The previous co-host, Adam Corolla, left in 2005 to take over the West Coast edition of the morning show vacated by Howard Stern. Stryker has been a fill-in co-host since then.

“I am beyond excited to be a part of ‘Loveline,’ ” said Stryker who will continue to host his 4-7 p.m. shift in addition to his role on “Loveline.” “I'm also honored to work with the man who is responsible for the fantastic run and success of the show, Dr. Drew. I grew up with the show and now to be a part of it is truly mind blowing.”

Stryker began his career in Tucson as morning host and music director at KFMA-FM. He moved to Los Angeles in 1996 to take over nights at KROQ. He eventually moved into afternoon drive.

“‘Loveline’ has become an entirely new show with an upbeat and positive host who makes the show accessible, young and fresh,” said Dr. Drew. “Stryker's enthusiasm, knowledge and attitude have brought the show back to its roots which is the caller.”

“With Dr. Drew as the heart and soul, ‘Loveline’ has consistently been the highest rated show on KROQ since its debut over 20 years ago,” said Kevin Weatherly, Senior Vice President of Programming CBS RADIO and KROQ Program Director. “Stryker has already proven himself to be a star on KROQ. His energy, passion, and presence on ‘Loveline’ is the perfect complement to Dr. Drew.”

Radio Column November 3, 2006

Listening In

November 3, 2006

By Sandy Wells



Talk radio takes dive in latest ratings


It looks like a lot of people hit the collective mute button on LA’s talk stations this summer – and that’s not a good thing in radio.

Talk commentators – many of whom have been pressing the illegal immigration issue since the huge rallies and demonstrations in the spring – may discover that the “hot button” is more like an “eject button” when it comes to LA listeners, despite the inherent drama in the topic and its profound relevance to everyday life in Southern California.

National Public Radio claimed last month that its audience nationally has grown about 1 percent while commercial news/talk formats have seen their audiences decline by about 2 percent.

It’s possible that some radio listeners may be gravitating to the cable news channels, which have become increasingly similar to talk radio both in substance and style.

In overall ratings measured by Arbitron, four of the top six stations in LA are broadcasting in Spanish:

1. KLVE-FM 107.5 Spanish Popular “K-Love”
2. KSCA-FM 101.9 Mexican Regional “La Nueve”
3. KIIS-FM 102.7 Top 40 “Kiss FM”
4. KLAX-FM 97.9 Mexican Regional “La Raza”
5. KBUE-FM 105.5/KBUA-FM 94.3 “Que Buena” (tie)
5. KROQ-FM 106.7 Alternative Rock “K-Rock” (tie)

Talk station KFI-AM 640, which tied for No. 1 in the spring with KLVE-FM 107.5, dropped to No. 8, in a tie with bilingual KXOL-FM “Latino 96.3” a reggaeton-based format beginning its broadcast day with a program pointedly dubbed, “The Morning Invasion.” Talk Radio KABC-AM 790 maintained at No. 17, even as it lost two-tenths of a rating point. News/talk KRLA-AM 870, KLSX-FM 97.1 and Progressive Talk KTLK-AM 1150 also modest declines in overall listening.

Traditional oldies radio didn’t fare too well, K-Earth 101 (KRTH-FM 101.1) slipped with its 70s-focused format, dropping from a tie at 13 to a tie at No. 15. Spanish oldies “Recuerdo” KRCD-FM 103.9/KRCV-FM 98.3 plunged from No. 9 to No. 14.

In morning radio, “Piolín por la Mañana” on KSCA-FM was No. 1 again, ahead of Renan Armendarez Coello on KLAX-FM and Omar and Algeria on KLVE-FM who shared the No. 2 spot. KROQ’s Kevin and Bean were at No. 4, Bill Handel dropped from No. 2 in the spring to No. 5, followed by Ryan Seacrest on KIIS-FM at No. 6. Ricardo "El Mandril" (The Baboon) Sanchez moved up to No. 7 from No. 11 in the spring, and tied with Big Boy on KPWR-FM 105.9 “Power 106.” No. 9 was shared by Mark and Brian who play no music on classic rock KLOS-FM 95.5 and Jack FM KCBS-FM 93.1, which offers lots of classic rock hits without a DJ.

KNX-AM 1070, which has been evolving from a news station - it still calls itself “news radio” - to a combination of talk shows and news blocks presented in an informal manner. In morning drive, anchors Dave Williams and Vicky Moore moved from a tie at No. 18 to No. 14, ahead of KABC’s topical McIntyre in the Morning, which slipped from No. 15 to a tie at No. 16.


Country music revived on 540 AM

Missing the country music since KZLA-FM 93.9 became “Movin’ 93.9” with Rick Dees? The signal’s not too great for LA County listeners, but AM 540 flipped from adult standards to contemporary country a couple of weeks ago. The station’s strongest reception areas are in Orange County and San Diego.

Ex-KZLA evening host Brian Douglas is now morning man, followed by ex-KNX weather reporter and San Antonio country personality Adrienne Brooks in middays. Other highlights: Big Time Saturday Night with Whitney Allen tomorrow from 7 p.m. to Midnight and Paul Freeman, Sunday afternoon from 1 p.m. to 6 p.m. followed by The Grand Ole Opry Weekend Special from 6 p.m. to 8 p.m.

The adult standards and old time radio dramas remain on KKGO-AM 1260.



Alfred Molina stars in Oscar Wilde play

When actor Alfred Molina lent his voice to Oscar Wilde’s famous play, “An Ideal Husband” in 1997, he was not quite the major film star he is today. LA Theatre Works’s “The Play’s the Thing” presents a broadcast of the witty English comedy from 1895 tomorrow night (Saturday) on KPCC-FM 89.3 at 10 p.m. Jacqueline Bisset, Martin Jarvis, Rosalind Ayres, Yeardley Smith, and Miriam Margolyes are also in the cast. Wilde explores the plight of a promising politician desperate to hide a secret in his past. The broadcast includes an interview with the director, UCLA Professor of Theatre Michael Hackett.

Radio Column October 20, 2006

Listening In

October 20, 2006

By Sandy Wells


Award-winning KNX reporter Luis Torres looks to new life in theatre, public radio


Luis Torres, award-winning radio journalist, filmmaker, record producer and aspiring playwright, is a man of two contracts.

Thanks to one good contract, Torres has been to take early retirement from his nearly quarter-century career at KNX-AM 1070, allowing him ample time to pursue a new life as a writer and playwright. He also has a contract with the prestigious Mark Taper Forum to complete a musical based on the songs of the brilliant 1990s album by the East LA band Los Lobos, “Kiko.”

“It’s a love story basically. I extracted characters from some of the songs on the album,” says Torres of his collaboration with songwriter and longtime friend Louie Perez. “They are really extraordinary songs.”

Torres, who plays guitar – “well enough to know how poorly I play” –produced an album for the band ‘a million years ago.’

“It’s an exciting process working on a play. I’ve written non-fiction most of my life. We’re in the final stages of the last draft.”

The show is “in development” with an eye towards a major production in 2008 at the Taper.

Torres is also in discussion with KPCC-FM 89.3, the non-commercial public radio station based in Torres’ hometown of Pasadena to work as a radio journalist. While he has a few reservations about moving into the world of public radio where he finds the “slightly elitist tone a little off-putting” he is nonetheless interested in reconnecting with his passion for news and the stories that continuously bubble up in what he calls the “cauldron that is our city.” He has worked there in the past as a substitute host on “Talk of the City.”

Torres’ career at KNX came to an end after he was called into a meeting with the new News Director Julie Chin about a month and a half ago. He was told he wouldn’t be doing any more reports on Latino affairs in Los Angeles.

“I had been doing three to four minute pieces on Latinos in LA about writers and musicians. The idea was to get people ‘in the tent’ in this city that is 50 percent Latino. I asked her, ‘Is this for the time being? Is it permanent?’ I was told, ‘I don’t have to justify myself to you.’ It was clear to me what the atmosphere there would be.”

After a brief period of reflection, Torres, a graduate of the Columbia School of Journalism, winner of a George Foster Peabody Award, five Golden Mike Awards, a duPont-Columbia award, an Edward R, Morrow Award and four Greater Los Angeles Press Club Awards, decided to “look for other things to do.”

“I was there for over twenty-five years – I took three years off to teach – and much of my time there was terrific. I think I’m a good reporter and this is a great city. The last couple of years hadn’t been all that much fun for me anyway – and I don’t mean that in a frivolous way, but it was not fun.”

For one thing, he found it frustrating that reporters were being asked to cut the time of their reports in half, doing in 30 to 40 seconds what they used to do 60 to 90 seconds.

Torres says he finds the change of direction at KNX puzzling, likening it to the ‘kids in the sandbox’ approach to journalism he sees on the KTLA-TV channel 5 morning show. Whatever the ultimate goal is, he thinks KNX should make up its mind.

“If you’re going to be a news organization, do news. If you’re going to do something else – call it something else.”

In the meantime, Torres says he having the time of his life, catching up on reading, working on his new musical and helping his wife complete her book, “Teatro Chicana” about Latino activist theatre in the 1970s.

“I’m very happy,” says Torres.



Howard Stern for free online


Sirius Satellite radio is offering some prime content for free over the Internet for a two day period next week to launch its Sirius Internet Radio (SIR).

To publicize the availability of SIR, listeners on Sirius.com will be able to hear The Howard Stern Show and Stern’s two 24/7 channels without having to pay the subscription fee on Oct. 25 and 26th, as well as commercial-free music, talk, entertainment, and sports programs. Listeners can go to www.sirius.com/howard to register for a free trial of Sirius.

“Howard being available live for the first time ever to a worldwide audience is an unprecedented event in the history of radio,” said Scott Greenstein, Sirius President, Entertainment and Sports. “Listeners can now get what they have been missing: Howard at the top of his game and more than 75 channels of the best radio on radio.”

Radio Column October 6, 2006

Listening In

October 6, 2006

By Sandy Wells


Hip hop Syphe and Eric DLux move up to Power 106 drive time


Hip Hop Power 106 (KPWR-FM 105.9) made the official announcement last week that it had decided to promote from within to fill its afternoon drive 3 p.m. to 7 p.m. weekday show.

“After an exhaustive national search, I couldn’t be more excited with the results!” said Emmis VP of Programming and Power 106 Program Director Jimmy Steal. “Syphe and DLux have been simply done an outstanding job filling in and I’m pleased that we were able to promote within.”

“Syphe” and “Eric DLux” filled in during the search for a new team and were so popular the station management decided to give them the job, according to a station spokesperson.

(Eric DLux and Syphe)

Both Syphe and Eric were raised in the Los Angeles area. Syphe attended Pasadena’s Blair High School but sidestepped college to focus on hip hop music production and mixing. He credits include a sound track for a Nike commercial. Eric DLux attended Carson High School.

They started out as part of Power 106’s street team known as “The Flava Unit.” About a year and a half ago, they got a chance to host their own weekend and overnight programs, eventually being promoted to evenings.

The pair joins long-time afternoon personality Tito, the real life janitor-turned radio sidekick, who keeps the atmosphere light with his homespun humor and distinctive Mexican accent.

Syphe and DLux fill the shoes of the Goodfellas – who kept the station in the top tier of the afternoon ratings for seven years. Romeo and Dejai have since moved from Power 106 to hosting evenings on R&B/hip hop KDAY-FM 93.5.

The 7 p.m. to 10 p.m. timeslot will be covered by Miguel Barrozo who arrives from San Francisco’s popular KYLD-FM on Oct. 16.

“This is a dream come true! I’m looking forward to moving to Los Angeles and joining Power 106!” said Borrozo.


Satellite vs. HD


Although satellite subscription radio has managed to acquire about 14.4 million subscribers, or about five percent of the American population over the last few years, new research indicates the growth may be tapering off.

A new study released by Bridge Ratings found that 48 percent of consumers with XM or Sirius satellite radios in their car did not plan to renew their subscriptions after their three to twelve month free trial ended. About 30 percent who purchased their radio at retail – either after market for their car or a home radio also did not plan to renew.

The Stern factor also appears to be fading. After all the hype last fall leading up to the launch of the Howard Stern Show on Sirius, Stern has managed to capture about 1.2 million subscribers. That’s about half of his estimated 2.5 “most loyal” terrestrial radio listeners, according to the study. By the end of last month, the Stern effect was accounting for less than 20 percent of Sirius sign-ups.

One analyst quoted by the study said that U.S. carmakers, struggling to maintain market share, are less generous in their promotion of satellite radio.

Another factor slowing satellite radio’s ascent may be the growing awareness of HD radio, which offers many extra channels at no cost.

Once you’ve invested in a radio with HD reception, you’re done. There are no subscription fees. You now have a radio that can pick up two HD signals where there was once one channel. For instance, you can hear HD KMVN 93.9-1 (“Movin’ 93.9) playing Rick Dees and rhythmic adult contemporary music (the same as on FM), while its HD second channel on 93.9-2 offers the KZLA country format (without the DJs). If you like pre-Beatles, “good time” oldies which K-Earth 101 no longer plays, you can hear them on KRTH-FM’s second HD channel: 101.1-2; and still listen to what the FM version of K-Earth 101 plays in pristine HD by tuning to 101.1-1. More than thirty Los Angeles-area stations are broadcasting in HD now, or will be soon.



Bidding with Star 98.7’s ‘Lounge for Life’


Last night, Star 98.7 (KYSR-FM 98.7) held a concert at the House of Blues in West Hollywood to benefit City of Hope Hospital’s breast cancer research. On the bill were Ray LaMontagne, Jewel, Train and Teddy Geiger.

Today, the station begins running an on-line auction to benefit the hospital where you can bid for autographed guitars from the Dixie Chicks, John Mayer, Snow Patrol, Jewel, INXS and many other items on the STAR 98.7 website: www.star987.com.

The Star 98.7 Lounge presented live in-studio concerts since 1996. Many of the performances are available on the station’s CD collection which you can purchase online at the Star 98.7 website.

Radio Column September 22, 2006

Listening In

September 22, 2006

By Sandy Wells


KFI’s John and Ken at ‘war’ with LA’s mayor


Two of radio’s most politically provoking personalities now see themselves as being in a state of ‘war’ with the mayor of Los Angeles. For KFI-AM 640’s John and Ken Show, who rate their effectiveness on how often they can goad the high and mighty into taking their bait, this may be their biggest catch to date.

At the 4th Annual Impact Awards luncheon sponsored by the Hispanic Media Coalition honoring Latino broadcasters in Beverly Hills last week, Mayor Antonio Villaraigosa congratulated Spanish radio personalities such as KSCA-FM’s Eddie “Píolin” Sotello, for organizing the peaceful pro-immigration rallies last spring. He then paused and took a moment to scold the KFI afternoon talk show hosts, addressing them directly, “while the cameras are rolling.”

“Two people who get on the radio everyday, who share a commitment to dividing America, who demonize our immigrants,” said Villaraigosa. “Let us say to them, ‘Shame on you; shame on you for dividing America.’ But make no mistake, like the people we honor today, we will stand up, we will speak out, we will do it the right way, speaking out on behalf of an America that is bigger and better then the rhetoric that you put on your radio waves every single day.”

That afternoon, John and Ken were broadcasting from a special screening of the immigration-themed film “Border War” in Orange County. They broke in with the story of the mayor’s comments, adding that a KTLA-TV reporter was on the way to get their response.

“It was like a declaration of war,” Ken Chiampou later told KTLA-TV’s Willa Sandmeyer. “There was emotion and anger in his voice. But he did the same thing that all politicians do. He referred to the issue as the United States as ‘a nation of immigrants.’ He completely only talks about immigration, never dividing into the categories you have to divide. There are legal immigrants and there are illegal immigrants.”

KFI Program Director Robin Bertolucci did not offer a comment on this latest political imbroglio involving her drive time duo. Instead she handed me off to John Kobylt, who usually plays ‘bad cop’ to Ken Chiampou’s more reasonable ‘good cop’ attitude during their on air ruminations about the latest political or cultural outrage.

Kobylt admitted that he was initially surprised that the mayor, so often the target of their invective in the past, had picked that day to publicly condemn their show’s position on immigration.

He told me he felt Villraigosa was really just politicking in the typical way so many politicians do, by pandering to their base when they are in front of a friendly audience and unnoticed by the mainstream media.

“Villaraigosa had been off our radar for a while as we focused on Phil Angelides and Arnold Schwarzenegger. I wondered if he wasn’t just throwing meat out to the Spanish media crowd, not really noticing that Channel 5 was there. It’s jut like when (former) governor Davis signed the illegal drivers’ license bill with only Hispanic media there and our reporter Eric Leonard found out about it. These politicians are often trying to skip it by English media … (Villaraigosa is) firing up his base because he wants to run for governor.”

Kobylt explained that the mayor may not have considered that KTLA-TV would be there to cover the award being given to their own Carlos Amezcua for Excellence in Broadcast Journalism. Then, that story got upstaged by the mayor blasting the KFI hosts.

“The channel 5 news director thought this would be a big deal. Why he thought he should lead with the story, I don’t know.”

Typically, local broadcasters like to ingratiate themselves with those in power. John and Ken have made a name for themselves doing just the opposite. In their early days, as radio hosts in Trenton New Jersey, they openly ridiculed the state assembly after reading an article in the local paper about a huge tax increase that had been quietly voted into law in an after midnight session. They kept up the heat. Eighteen months later, they took credit for getting about a third of the state legislature voted out of office.

For Kobylt, the real scandal these days is the existence of a cowed and intimidated body politic, afraid to speak plainly to those in power. He feels that their show and its million-plus local audience, is making a difference in how people think about politics.

“The pc bubble has burst,” said Kobylt. “The stories that used to be scandalous aren’t any more. It’s a change of reality. The most common comment we get from listeners is ‘You say what we’re thinking.’ But they’re afraid to say these things. It’s about speaking the obvious truth. There’s a whole professional ‘lying class’ out there. Our whole niche is cutting through the b. s. and getting out the truth.”

Radio Column September 8, 2006

Listening In

September 8, 2006

By Sandy Wells


Remembering radio’s ‘Living Legend,’ Huggy Boy



I called up KRLA-AM 1110’s Huggy Boy show the Saturday night after my girl friend and I got engaged and made a request. Huggy answered the phone himself and taped me dedicating “I Got You” by James Brown to my future bride. Then he told me, “Sure, buddy, I’ll get it on for you.”

I remembered that night after I learned that Dick “Huggy Boy” Hugg had died last week at the age of 78.

The sincerity and warmth in his voice stayed with me. Huggy Boy was definitely not your average DJ. Maybe possessing that reservoir of sincerity available to give to each and every one of the thousands who called him was one of the reasons he remained a popular figure for six decades in Los Angeles radio.

When he worked at K-Earth 101 (KRTH-FM 101.1) – his last radio gig – his difficulty fitting in to the straight-jacket standards of the station modeled after “Boss Radio” KHJ-AM, the super-slick top 40 powerhouse of the 60s and 70s – was plain to hear. His creative energy and playful attitude, the signature stack of “low rider” oldies he used to woo and win his huge nighttime audiences at KRLA-AM 1110 – where he often humbled his mighty FM competitor in the ratings – were all, sadly missing. Huggy Boy, an anomaly in a profession that celebrated anomalies – was out of place on K-Earth 101. Too bad the station just didn’t let him do his own thing, chat with the listeners for as long as he wanted, play his signature R&B hits, and sing over the songs when the spirit moved him.

I remembered my interview with “The Mayor of East LA” in 1998, just after he’d signed on to work at K-Earth 101.

He told me his last song on KRLA, which had switched from all oldies to a talk format, was “Don’t Let No One Get You Down” by War.

The noise of the traffic outside the window of his first floor apartment near East LA made it hard for me to understand him as he often seemed to mumble his words. I often asked him to repeat what he’d said as I strained to catch everything, not really trusting my tape recorder to catch the words my ears missed.

Huggy Boy told me how he made his name hosting the “Harlem Hit Parade” from midnight to 4 a.m. on KRKD-AM 1150 from Dolphins of Hollywood record store at Vernon and Central. He became one of a handful of cultural white disc jockey spinning “race records” that actually appealed to people of all races in Los Angeles.

Later, at home, going over the tape, I was astonished to find his voice and words come across as clear as a bell, a voice made for the microphone.

Huggy was never one of the slick well-connected DJs who transitioned easily from the role of playing the hip sounds for the young crowd into a record industry job or a seat on “Hollywood Squares” or a lucrative career doing voice-overs.

After a decade and a half of playing contemporary music ended in the mid sixties, he made a go at some other lines of work, including a stint as a strip club entrepreneur, a job he did not like. In the early 80s, he reemerged in Southland radio, playing requests and dedications on XPRS-AM 1090 before launching a 14-year reign as a DJ on KRLA-AM 1110.

The last time I saw Huggy was at a tribute held for him in the City of Industry in 2003. Hundreds of people came out that night to see the man who, although no longer on the air, was still a “living legend” in the world of rock and R&B radio. He was frail and obviously in poor health, but his spirit was still strong and he hadn’t lost the ability to command a room full of admirers.

He graciously asked me to say a few words of introduction. Unprepared, I could only manage a few platitudes about his legendary popularity. I wanted to say more, but I didn’t want to steal the occasion by launching into a long discourse about what I felt his significance was as a pioneer of R&B and rock n’ roll radio.

I wanted to say something like – “to me, Huggy, you are one of a handful of originals who blazed a trail for thousands of DJs and pop impresarios to come. You were out there doing it when no one knew how to do it or whether the music would last another six months, making up the rules as you went along – spinning the R&B rock sounds that simmered until the heat boiled over into a major cultural revolution. It was lead by radio personalities such as you – what the mainstream press condescendingly called the ‘Pied Pipers of Rock and Roll.’ But it was really just the start of something very big, something that continues to this day.”

There, now I’ve said it. I wish you well Huggy, up there in rock and roll heaven.


Huggy Boy in 1994 (second from left) with (L-R) fellow KRLA personalities Mucho Morales, Dominick Garcia and actor Jimmy Smits promoting the film "The Cisco Kid."
(Courtesy Dominick Garcia)

Radio Column August 25, 2006

Listening In

August 25, 2006

By Sandy Wells


Rick Dees on new ‘Movin’ 93.9 replaces country music


It was a radio “sneak attack” last Thursday when “America’s most listened country station” KZLA-FM 93.9 was “blown up” and replaced by a new rhythmic pop format called “Movin’ 93.9.”

Although morning host Peter Tilden had been off the air - ostensibly on vacation - and a slightly subdued overnight host Blair Garner was in his place with unusually tight-lipped co-host Ashley Paige, there had been no indication otherwise from anyone anywhere that Emmis Communications execs were ready to pull the plug on the music of Faith Hill, George Strait, Toby Kieth and Jo Dee Messina; or, for that matter, to be the ones to bring ex-KIIS-FM 102.7 Rick Dees’ legendary morning show back to the LA airwaves.

The ratings for Country KZLA weren’t stellar – they were tied for No. 20 with KLSX-FM 97.1 in the most recent ratings of listeners 12+ – but the station was still very profitable, according to general manager Val Maki, who also oversees Emmis’ hip hop Power 106 (KPWR-FM 105.9).

“Our research company – Coleman Research – researched the market place and saw there was a big opportunity for this type of music and for Rick Dees,” said Maki about the decision to go with Movin’ 93.9. “We’d had a lot of growth in revenue for six years, until the last year [with KZLA]. But that was a tough year everywhere.”

The new rhythmic pop contemporary blend promises to focus on the music of artists such as Beyonce', Gwen Stefani, Usher, Jennifer Lopez, Black Eyed Peas, Madonna, Janet Jackson, and Gnarls Barkley. Described as “The Mix That Makes You Move,” Movin 93.9 is not unlike a rhythmic pop version of retro pop-rocker Jack FM (KCBS-FM 93.1).

“We're overjoyed that Rick Dees will be joining Emmis Communicationsand Movin 93.9,” said Jimmy Steal of the stealthy format flip. The Emmis Communications VP of Programming added, “Rick's passion for Los Angeles’ morning radio is legendary and his live and local show is a perfect fit for Movin 93.9. …. He’s the perfect complement to this exciting new format.”
Dees was continuing his impressive ratings track record at KIIS when he was dropped to make room for Ryan Seacrest in early 2004.

“Emmis is the perfect fit,” said superjock Dees of his new home on the air. “I've been presented with many opportunities, and the new Movin 93.9 gets me excited like I've never been before!”

Although Maki denies this is their goal, Dees and Movin’ 93.9 are certainly well positioned to pose a challenge to Clear Channel’s FM formidable pop music cluster: KIIS, KBIG-FM 104.3, KOST-FM 103.5, KHHT-FM 92.3 and KYSR-FM 98.7. By aiming for its top performer, Top 40/rhythmic KIIS, Movin’ 93.9 may cherry-pick listeners not only from the other Clear Channel “flanker” stations meant to attract the remaining mostly young females and soccer moms who don’t listen to KIIS, but from KIIS itself. Some listeners may decide that Movin’ 93.9 mix – reminiscent of KIIS in the 90s – ‘does it all’ for them.

As for the exit of the country format here, as with every contemporary music format, it lives and dies by the new music that’s available, and country music hasn’t been all that strong lately. In an ethnically diverse area such as Los Angeles, you need to appeal to a fairly wide audience, and without the Urban Cowboy phenomenon of the 80s, or a new Garth Brooks to draw folks in besides those weaned on country and who know and accept no other kind of music, there’s little that can be done.

The country music version of KZLA should be available to fans via Internet streaming as well as on Movin 93.9's HD Radio side channel. Go to www.kzla.com for information.

Will another LA station take up the country music format? CBS Radio runs a popular country station in Chicago – and of course “K-FROG” (KFRG-FM 95.1) in the Inland Empire – but would they try it here with KLSX-FM 97.1 or KFWB-AM 980? Or will one of the three sports stations in town will give it a go: KLAC-AM 570 (it used to be country), KSPN-AM 710, or KMPC-AM 1540?


Power 106 looking for new afternoon superstars


“Power 106” has been advertising for a new superstar DJ team to fill the shoes of the once top-rated Goodfellas – Romeo and Dejai - who exited the station recently. Station General Manager Val Maki says they’ve been looking at people who don’t necessarily have radio experience – but are deeply immersed in the hip hop lifestyle. The station has been searching outside the radio community – even placing an ad in the actors’ magazine Backstage West. Maki says they’ll be announcing their selection soon.



New Star 98.7 lineup includes Richard Blade at night



Clear Channel’s decision to restore the post 10 a.m. DJ lineup to Hot AC Star 98.7 (KYSR-FM) couldn’t have come at a better time as it faces some competition from Emmis Communication’s new rhythmic pop hits Movin’ 93.9 (KZLA-FM 93.9).

“Lisa Foxx and Richard Blade have enormous equity in the Los Angeles market and Tom Mitchell is just ‘great radio’ said Star 98.7 Program Director Charese Fruge. “I’m thrilled to have talent of this caliber on my team. I’m confident that they will make the connection with the Star 98.7 audience.”

The new lineup after Jamie, Jack and Stench in the morning is; Lisa Foxx, 10 a.m. to 3 p.m., newcomer Tom Mitchell, 3 p.m. to 7 p.m. and Richard Blade from 7 p.m. until midnight.

Mitchell has worked at radio stations in Baton Rouge, New Orleans, Boston, and Las Vegas.

“I have always wanted to work in LA radio, and I can’t think of a better station than Star to do so,” said Mitchell.

Radio Column August 11, 2006

Listening In

August 11, 2006

By Sandy Wells


Study shows NPR listeners lean Democratic


People who listen to news/talk programs on public radio stations such as KPCC-FM 89.3 and KCRW-FM 89.9 are 18 percent more likely to lean Democratic or identify themselves as Democrats than the population at large, according to the new study “Public Radio Today 2006” released by Arbitron.

That doesn’t come as much of a surprise considering that just about everyone I know who listens to non-commercial radio is a Democrat. But then again, this is Los Angeles County. Not exactly a Republican stronghold.

Nationally, public radio listeners who also listen to news/talk on AM stations are 44 percent Democratic versus 36 percent Republican. On the other hand, more than half of the people who tune in just to AM radio talk shows are Republican or lean to the right politically and only 30 percent are Democrats or lean Democratic.

The study shows that 26 million people across the country are tuning into public radio every week. Most are 35 or older and slightly more are male than female.

“Public radio is home to a unique mix of formats,” commented Mike Powderly, Senior Account Manager, National Radio Services, Arbitron Inc. “While news/talk is the leading format for public broadcasters as well as for commercial radio stations, public stations serve different audience segments for music than their commercial colleagues. Classical Music, jazz and album adult alternative are the leading music formats among public radio stations. This is in contrast to the leading music formats on commercial radio: adult contemporary, contemporary hit radio and urban.”

Last fall, Arbitron had reported NPR’s audience was stagnant or declining for the second year in a row, after years of strong growth. The news sent NPR execs into some serious soul searching.

However, last fall’s disappointing report was offset by a more recent survey by The Media Audit, which said that NPR was the fourth-most listened to format in the country, behind news/talk, country music and contemporary hit radio (CHR). Even more encouraging, the report also said that NPR was the most successful format of any in the top ten at converting listeners into “loyal” listeners. Nearly 60 percent of NPR listeners surveyed said that they listened to NPR “most often,” indicating the kind of loyalty sought after by radio executives.


Jack hires Freddy Snakeskin


Ex-KROQ DJ Freddy Snakeskin has joined the Jack FM (KCBS-FM 93.1) staff as a writer-producer for the retro-rocker. That has fueled speculation that Jack FM might be adding another voice to the on-air presentation. But no, says station spokesperson Chad Fitzsimmons. Snakeskin is just there to help write those witty liners voiced by Howard Cogan the voice of Jack and to run the controls. Jack is actually run as a live station with human beings pushing the buttons, something programmers feel gives the station a better sound than if a computer was simply firing off the songs and commercials. Still, all the music, commercials and announcements are stored in a computer hard drive as is standard for the industry now.

Ex-KROQ-FM Tami Heide is heard voicing station “Jack-tivities” about concerts and other stuff, but Jack remains the sole host. Cogan voices scores of fresh lines every week, all of them unique to the LA version of Jack and not shared by the other Jack stations around the country featuring his attitude-laden quips.


Sports reporter blues


There was apparent recent belt-tightening at news stations KFWB-AM 980 and KNX-AM 1070 with three ‘WB sports reporters getting pink slips; Joe Cala, Geoff Witcher and Bob Harvey. Almost immediately, Cala was rehired by sister station KNX (the stations are housed in the same building), according to laradio.com. Additionally, sports station KSPN-AM 710 local sports anchor Dave Stone was released from his gig reporting the sports headlines. While he had his job with the Disney-owned station, he was working for the same company that employs talk superstar Sean Hannity, carried locally by KSPN sister station KABC-AM 790. Hannity has mentioned Stone on the air as the guy who as program director for a talk station in Huntsville, Ala., gave him his first job in commercial radio. Aside from the sports changes, KNX also released news reporter and commentator Michael Ambrosini.

Radio Column July 28, 2006

Listening In

July 28, 2006

By Sandy Wells


King of ‘Old School’ Art Laboe moves to weeknights on Hot 92 Jamz


LA’s King of Old School, Art Laboe is now headlining the evening lineup on KHHT-FM 92.2 “Hot 92 Jamz.”

“Art is the quintessential personality for this station,” said Hot 92 Program Director Mike Marino about the new “Art Laboe Connection” airing weeknights from 7 p.m. to midnight. “He has a very rare connection with the audience, reaches across all demos and ethnicities and his wide appeal is documented in the ratings success he consistently achieves in the weekend show he’s had on Hot for the past five years.”

Laboe is also very popular among LA’s Latino community with a familial on-air style that makes him a hit with people of all ages. It is no accident that much of contemporary hip hop incorporates samples of classic R&B hits dating from the 70s and before. Laboe has been compiling and selling collections of “Oldies but Goodies” since he popularized the phrase on his radio show back in the late 1950s.

“This is the first daily radio show I’ve done in 19 years, so I am pretty excited about it,” said Laboe.

Sean Andre now moves into a split shift. His popular evening show “The Quiet Storm” is shifted to mid-night to 3 a.m. In addition, Andre’s “At Work Requests and Dedications” now airs weekdays from noon to 3 p.m.

“By moving Sean to the noon to 3 p.m. slot, we position ourselves for some tremendous growth in the daypart,” said Marino. “Until now we’ve kept the focus on Hot’s unique music mix in mid-days by running jockless.”

Interactive is the new buzzword in FM music programming as stations seek to create closer bonds with their listeners and develop more loyal, long term listeners. For KHHT as well as for the newly reformatted KKBT-FM 100.3 “The Beat,” the answer has been to place more personality presence between the songs with listener phone calls.


KFI is nation’s most listened to AM station

The Spring Arbitron ratings just out show that not only was talk station KFI-AM 640 tied for No. 1 in Los Angeles with Spanish Adult Contemporary KLVE-FM 107.5 “K-Love” – not just among news and talk stations – but among all stations. KFI also continues to be the most listened to AM station, talk or otherwise – in the nation, beating out New York’s WABC-AM for the honor.

It’s quite an achievement, especially considering the station has been operating below its authorized 50,000-watts of power since its tower was destroyed when an airplane crashed into 19 months ago. Plus, no AM station has reached the top in LA since talk station KABC-AM 790 dominated the market in the 1980s.

Elsewhere in the ratings of people 12+, top 40 hits KIIS-FM 102.7 tied with Mexican Regional KSCA-FM 101.9 for No. 3. Smooth jazz KTWV-FM 94.7 (“The Wave”) gained a full ratings point to move from No. 11 in the winter to No. 5. Alternative rocker KROQ-FM 106.7 edged up from No. 8 to No. 6, followed by soft rock KOST-FM 103.5 at No. 7, Mexican Regional KLAX-FM 97.9 at No. 8 and Spanish oldies (“Recuerdo”) KRCD-FM 103.9/KRCV-FM 98.3 at No. 9. No. 10 was split three-ways among hip hop KPWR-FM 105.9 (“Power 106”), 80s/90s rock KCBS-FM 93.1 (“Jack FM”) and Mexican Regional KBUE-FM 105.5/KBUA-FM 94.3 (“La Que Buena”).

KSCA-FM morning talent Píolin (below)


KSCA-FM’s Píolin por la Mañana dominated the morning drive again, followed by Bill Handel’s show on KFI.

In the “listen at work” mid-day period, The Wave jumped nearly two points to the No. 1 spot.

Afternoon drive was dominated by KFI talk show hosts John and Ken who bounded a point and a half from No. 9 to No. 1.

KIIS-FM owned the nights with a massive 6.2 share – down from 6.9 in the spring, but still way ahead of its nearest competitor, K-Love.



Paris says ‘Mais Oui!’ to American music radio


I spent my recent vacation in London and Paris with the family. Although I gave up driving and reading any email for ten days, I couldn’t help tuning around on a little radio I bought near London’s Piccadilly Square. Half-way around the globe, I heard some LA radio flavors on European airwaves.

In England, I caught KABC-AM 790 host Al Rantel’s voice on a Talk Sport promo for Mike Mendoza’s show. (Rantel and Mendoza keep up the U.S.-U.K “special relationship” with a cross-Atlantic (and continental) simulcast Friday evenings, sharing views and callers from the two nations “separated by a common language.”)

British talk host Mike Mendoza
KABC anglophile Al Rantel

The French may not think much of President George Bush, but they appear to have an enormous appetite for all things American when it comes to pop music radio.

In Paris, I heard AM radio DJ, Georges Lang, whose program “Beach Party” comes on station RTL every night at 11. He serves up American top 40 hits from the 60s, 70s and 80s. I heard him play an old KBIG-FM station ID: “It’s 12 o’clock in the west”! Lang reveres Southern California top 40 radio stations and DJ legends Rick Dees, The Real Don Steele, Robert W. Morgan and Mr. Rock and Roll.

American music – including lots of club music and hip hop – is everywhere up and down the Parisian radio dial. The pop music DJs almost all sound like Ryan Seacrest speaking French. Paris also boasts its own full-time Radio Latina at 99.0 FM!